|
About
Us / Conditions
Advertise
on World Printmakers
Alzheimer
Dreams - Prints and Poems
Amsterdams
Grafisch Atelier - Interview with Workshop
Director, Jeroen van den Maagdenberg
Anchor
Graphics Workshop
Andy
McDougall On Full Disclosure - Screenprint
Course
Which
Anne Are You Today? Interview
with Anne Desmet, Printmaker and Editor
April
Vollmer on Artist's Residency at the VCCA
Arkady
Remennik's Own Revolution
The
Art of Democracy
Political Art Rears Its Glorious Head
Art
on Paper
On
Becoming Publishers
of an Art Magazine
Art
Sales Contract
The
Artists
Barbáchano
& Beny, Paper Restoration
"Bive,"
Printmaking Makes the Movies
"Black
Gold" by Dot Krause
William
Blake, Madman,
Journeyman, Genius, Prophet...
A
Chat with René Böll
Let's
Talk Business
Original Prints as Business Gifts
The
Bookstore World Printmakers Artbooks
Francisco
Borjes - Maureen Booth Pulls a
50-Year-Old First Edition
Calls
for Work in Connecticut and Rumania
A Man and His Camera Obscura
A
Career in Art
The Flinty Hard Road
Certificate
of Authenticty Model
The
Charo de Frutos Collection of contemporary
Spanish Masters
Chinese
Printmaking Today
At the British Museum
Come
Up and See Our Etchings
All You Ever Wanted to Know about Fine-Art
Prints and Were Afraid to Ask
Conservation
of Prints
Barbáchano & Beny
Restoration Laboratories
Conservation
Framing
By Ana Beny & Pedro Barbáchano
Contact
with World Printmakers
¿Cuba
Anyone?
Dan
Welden on Solarplate
Jane
Danko Rediscovers Creativity
with Basque Artist Agustín Ibarrola
DASH
Tropical Mosaic 2002
The Digital Art Society of Hawai'i
DASH
Tropical Mosaic II 2004
The
Digital Art Society of Hawai'i
De
Buena Tinta Workshop
A
New Departure
Dictionary
of Printmaking Terms
The
Digital-Fineart Challenge Exhibit
Martha
Bradford's Digital Drawing
The
Shift to Digital Print in Fine Art
Digital
Printmaking Goes to the Bank
Dot Krause Decorates the Fed
Dyslexia,
the Hidden Problem Among Creatives
How
Not to Be Duped
in the Digital Fine-Art Market
Joan
Dubanoski's 3,500-Print Commission
Durer,
The One-Man Renaissance
Dyslexia,
the Hidden Problem Among Creatives
Edinburgh
Printmakers Workshop
What
is an Edition?
James
Ensor, The Artist as Prophet
Estampa
Madrid 2002 Wrapup
Estampa
Madrid 2003 Wrapup
Estampa
Madrid 2004 Wrapup/Album
All
About Etching
Presses
What
is an Edition?
World
Printmakers Exhibit (and Do Other Things)
Exhibits
Having
an Exhibit?
Like to See It Online?
FAQ
Frequently Asked Questions
Featured
Printmaker Martha Jane Bradford
Audrey
Feltham's Granada Journal
Framing
for Conservation - Pedro Barbáchano
Full
Disclosure Now!
The
World Printmakers Gift Certificate
Take
a Closer Look at Goya
Did
Francisco de Goya Invent "Modern Art?"
Goya II, The Disasters of War
Goya III, La Tauromaquia
Goya's
Last Works, in the Frick Collection, 2006
Handmade
Papers?
Homage
to a Maestro - Bohuslav
Horak
The
Homeostatic Portfolio Exhibit
"I'm
a Printmaker..." and I'd like to have my work on sale on World
Printmakers
Impact
4 International Printmaking Conference
Internet
Fine-Art Print Sales, What Works Barry
Smylie on Lithography Info
for Galleries / Publishers Giclée
Introduction
Giclée
Update
Interviews:
- Anne
Desmet,
Babel Flowers
- Pedro
Barbáchano, Barbáchano y Beny
- Clive
Barstow, Open Bite Workshop
- René
Böll, Printmaker
- Mike
Booth- short (by Bart Sedgebear)
- Mike
Booth
- long (by Martha Jane Bradford)
- Maureen Booth (video)
- Franck
Bordas, Atelier Franck Bordas
- Jorge
de Sousa, Point et Marge
- Nancy
Jacobi, The Japanese Paper Place
- David
Jones, Anchor Graphics
- Ken
Kerslake, Printmaker
- Dusica
Kirjakovic, Lower
East Side Printshop
- Concha
Lledó & Javier Cebrián, De Buena Tinta
- Andy
MacDougall, Squeegeeville
- Jeroen
van den Maagdenberg,
Amsterdams Grafisch Atelier
- John
Philips, London Print Studio
- Richard
K. Steiner, Tosai Hanga Workshop
- April
Vollmer,
Printmaker
- Carol
Wax On Mezzotint
- Dan
Welden, On Solarplate
|
Getting
Closer to Goya
Did
Francisco de Goya Invent "Modern Art?"
Goya
II, The Disasters of War
Goya
III, La Tauromaquia
Goya's
Last Works, in the Frick Collection, 2006
Impact
4, Posnan and Berlin 2005
Internet
Print Sales What Works?
Japanese
Paper Primer
The
Jimmy Pike Experience
Harald
Johnson
Mastering Digital Printing
The True Story of Giclée
International Print Residency in London
Ken
Kerslake Interview
The
Lap of Luxury - An Irrelevant Essay by Mike Booth
"Learning
As We Go..."
An Interview with Dusica Kirjakovic,
Executive Director of New York's
Lower East Side Printshop
Lessedra
- 2nd International Miniprint Annual 2003
A
Life in Printmaking
A Retrospective Interview with Ken Kerslake
londonprintstudio
- Interview with John Phillips
londonprintstudio's Homage to Activism
A
New Departure, World Printmakers Opens the Gates
to the New Barbarians
Andy
MacDougall's New Screenprint Book
A Country Art Fair in Portugal
with Maureen Booth The Meaning of Printing Images Today
Mamta
Digitized - How I Make Digitial Art
A How To by Mamta Herland
A
World Printmakers Retrospective
Mel Strawn - Transitions and more...
Mel
Strawn Remembers his Master
"Numbers One to Ten"
Mel
Strawn's Digital Art Media White Paper
Mezzotint
with Maciej That Old Black Magic
Fascinated
by Mezzotint? by Carol Wax
Newsletter
Signup Archive
Handbook
of Non-Toxic Intaglio
World
Printmakers
Pre-Emptive Print Protest
Print
Numbering
Printmakers
Peace World Printmaker's Virtual Antiwar Exhibit
You
Can Participate!
The World Printmakers Pre-Emptive Print Protest
2007
Open
Bite Australia
Ordering
Prints from World Printmakers
Online
Exhibits How
Important is Handmade Paper?
Paper
Conservation & Restoration
Jan
Pettersson on Photogravure
WP's
Pre-Emptive Print Protest
Print
Links Print
Numbering Printfest
2000, Ulverston, U.K. On
Printmaking The
Printmakers Print
Dictionary Print
Nomenclature Printmaking
Defined Printmaking
History Printmaking
Techniques
Prints
for Peace
Printmakers'
Peace
The World Printmakers
Anti-Militarist Exhibit
2002
Purchasing
Prints from World Printmakers
The
World Printmakers Readers' Survey
Readers'
Survey Results
Rembrandt
The Son of Harmen Gerritszoon
Rembrandt
Rarities from the Norton Simon Museum
Arkady
Remennik, An Artists Own Revolution
Saatchi
Gallery Free Online Resources for Artists
Sales
Over Internet - What Works
The
Savoir Faire Story
Search
This Site
Nik
Semenoff on Safer Printing
Sharpeville
Remembered
A Commemorative Print Portfolio
The
Shift Towards Digital Print in Future Art
Dan
Welden on Solar Plate
Jorge
de Sousa's Point & Marge Studio
Southern
Graphics Conference 2007 Report
Spike
Print Studio
Launches Print
Editioning Project
Sponsorship
Opportunities on Word Printmakers
Submission
Procedure
Simple
Technical Questions in Submitting
to World Printmakers
World
Printmakers Suppliers
Andy
MacDougall on
Sustainable Screen Printing
Terminology
The Bare Basics Thumbnail
Galleries
Tropical
Mosaic 2002
Tropical
Mosaic II 2004
The
Unfinished Print
at
the Frick Collection, N.Y., 2004
Virtual
Galleries
April
Vollmer on Residency at the
Virgina Center for the Creative Arts
April Vollmer Experiences Serbia
Wharepuke
Print Studio, New Zealand
World
Printmakers Virtual Press Center
Wharepuke Print Studio, New Zealand
Wintergreen
- The Rader Low-Tech Photo Etch
What
People Are Saying About World Printmakers
"What's
the Difference..." Between Prints and Posters or Reproductions?
Internet
Print Sales What Works?
Self-Promotion
Guidelines for Emerging Artists
Aspiration:
"Working Artist"
World
Printmakers, A Brief Presentation
World
Printmakers, Opening the Gates to the New Barbarians
World
Printmakers Suppliers List
World Printmakers Videos
World
Printmakers Virtual Press Center
"Your
Problem is You're Still Alive!"
A Defense of Live Artists
|
